Characters of Sir Walter Elliot and Anne Elliot in Jane Austens Persua

The Characters of Sir Walter Elliot and Anne Elliot in vox populi In aspect, by Jane Austen, there atomic number 18 some(prenominal) exceptional characters. Perhaps two of the most memorable are Sir Walter Elliot, and his daughter, Anne Elliot. These characters are well shaped and have something about them that transc leftovers time and social class, enable readers of the all ages, to feel they have something in common with them. Jane Austen has created a very silly, vain soldiery with immense family overcharge in Sir Walter Elliot. Sir Walter is extremely noble of his good looks, his family connections and above all, his baronetcy. The reader is introduced to Sir Walter at the beginning of the novel. Immediately his family self-esteem is seen and the reader cannot help but associate Sir Walter with the aristocracy known to Austen. A simple character sketch of him reveals much Vanity was the beginning and the end of Sir Walter Almost unconsciously, the reader feels a st rong dislike for a man who considered beauty as inferior only to a baronetcy. Sir Walters pride and vanity is reinforced in many different steerings the way he acts in certain situations, his opinions of others, his dialogue, and others opinions of him. Sir Walter is a character who will constantly act in the same manner, no matter what situation he is involved in. Sir Walter uses his family name for authority and decision making. For modelling, when Lady Russell suggests economizing Sir Walter reacts What Every allay of life knocked offeven of a private gentleman. Another example is when Sir Walter leaves Kellynch Hall and is prepared with condescending bows. In each of these examples, Sir Walter reminds others of his title, and that they are l... ... Persuasion is still popular today that emphasizes this universal and realistic world of Austens characters. Works Cited and ConsultedAusten, Jane. Persuasion. New York Oxford, 1998Curran, Stuart. Women Readers, Women writer s. The Cambridge Companion to British Romanticism. Ed. Stuart Curran. Cambridge Cambridge University Press, 1993. Fergus, Jan. The Professional Woman Writer The Cambridge Companion to Jane Austen. Eds. Edward Copeland and Juliet McMaster. New York, Cambridge UP, 1997. (12-32).Radway, Janice. Reading Reading the Romance. Cultural Theory and common Culture A Reader, Second Edition. Ed. John Storey. Athens University of Georgia Press, 1998. Wiltshire, John. Mansfield Park, Emma, Persuasion The Cambridge Companion to Jane Austen. Eds. Edward Copeland and Juliet McMaster. New York, Cambridge UP, 1997. (58-84).